BIL 374 Leonard Nez ring with Royston turquoise


Renown Navajo artist Leonard Nez has crafted this ring. Set in solid sterling silver with genuine blue-green Royston turquoise. His detailed silver stamping and raised setting is a hallmark of his style and really makes this ring stand out. This is an exquisite piece of Native American jewelry.

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Product Description



Royston: A district in Nevada consisting of three turquoise mines: Bunker Hill, Oscar Wehrend, and the main producer, The Royal Blue. Royston is known for its beautiful colors ranging from deep green to rich, light blues which are set off by a heavy brown matrix. The Royston mine is producing a little high-grade turquoise today, operated by the Ottison family. They process most of their material into finished cabs and allow very little rough to come onto the market. This controlled output has raised the price of this material considerably in recent years.

Born in Keams Canyon, Arizona in 1956, Leonard Nez married his wife Marian, a Navajo silversmith in her own right, whom he credits with teaching him.  After creating his first pendant, he was asked to make 15 more! Within a year he was able to support himself with his jewelry making.

​Well known jeweler, Gibson Nez was a great mentor and role model. He took Leonard under his wing and called him brother, even though they share the same last name they are not related.

​He has 4 children and 9 grandchildren as of 2011. One of his grandchildren is showing great promise as a future jeweler.

​In Leonard’s spare time he loves to rope in the Rodeos on the weekend. He even lost his right thumb while roping, but it has not affected his great work. He enjoys all that he does in creating his jewelry. He believes it all comes from his heart.

​Leonard is known for his skillful work in heavy-gauge silver and gold. Fine chisel, stamp work and deeply grooved sterling silver overlay are the hallmarks of Leonard Nez’s silver jewelry. Combining traditional and contemporary elements in detailed scrollwork and classic feather styling, Leonard’s work is distinct and recognizable.

​Leonard can take pride in many awards bestowed on his creations. Since first competing in 1993, Leonhard has consistently walked away with Best in Show at some of the most prestigious juried competitions. He also has a silver bowl with lid and stand on permanent display at the Smithsonian.

​He is a quiet and deeply spiritual man, who finds his inspirations from the Lord, his daughter and from the people who appreciate his work. “I want each piece to be better than the last. I do my own designs, the ones that speak to me,” he says.

“I pray to the Lord about my designs and sometimes, sitting in church, a design will come to me, as if on a whisper.”




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